Journal

Notes from the studio

Short, specific writing about the motifs we press, the technique behind them, and the things buyers reasonably want to know before spending money on a handmade object.

Close detail of ink and paper fibre in a finished rubbing
Technique

How to read a rubbing

Ink density, paper fibre, the faint lift at the edges. What the marks on a handmade Tà Yin actually tell you — and why irregularity is the signature of handwork rather than a flaw.

Read the note
Han Dynasty brick relief carving detail
History

What the Han actually carved

Horses, paired fish, phoenix, rolling clouds. The brick reliefs we work from were architectural and funerary, not decorative — and the images carried obligations as much as beauty.

Read the note
A studio seal inked in cinnabar
Practice

Why we destroy the seal

Every order gets its own seal, pressed once and then destroyed on camera. Here is the reasoning — including what the ritual does not claim to guarantee.

Read the note

Stay in touch

New work, a few times a year

The studio releases in small batches. Write to us and we will tell you when the next group is finished — no newsletter schedule, no noise.

Ask to be notified