The studio

A small workshop, a very old technique, a slow output

Han Brick Atelier is not a factory and does not pretend to be one. What we sell is made in small numbers by people using a method that predates printing by centuries.

Detail of a Han Dynasty brick relief
2,000+
Years between the original carving and your sheet
6
Hand steps from brick to finished artwork
1
Seal cut per order, destroyed after use
4
Brick motifs in the current release
Ink being worked into a carved brick relief Close detail of a finished rubbing

How we work

Small batches, finished before they are listed

We do not take money for work that has not been made. Every piece in the collection has already been pressed, dried, inspected, numbered and photographed before it appears on this site.

That means the catalogue is short and changes slowly. It also means the photograph you are looking at is of a physical object sitting in the studio waiting for an owner — not a rendering of something we might make later.

Handmade fibre paper over a brick relief, ready to be pressed

Why we do it this way

The image is old. The sheet is new. Both matter.

A rubbing is a record of contact — paper pressed against a surface carved by someone who died two thousand years ago. You cannot digitise that. You can only do it by hand, slowly, and accept that no two sheets come out the same.

We keep the variation rather than correcting it, because the variation is the proof.

See the six steps

Work with the studio

Commissions and designer partnerships

Interior designers, hotels and private collectors sometimes need a motif that is not in the current release. We take on a small number of commissions each year.

Designer programme Enquire about a commission